![]() “I wanted to recapture that emotion.” So this season Viard attempted to channel that energy and joy in a collection that not only referenced the era in the clothes, staging, and accessories (purses shaped like N★ bottles piratically flared Louis heels), but even the soundtrack: Witness George Michael’s anthemic “Freedom! ’90”-in a contemporary cover version by Christine and the Queens-getting the models in the party spirit.Īt the end of the raised runway, for instance, the photography duo Inez van Lamsweerde and Vinoodh Matadin, now deeply enmeshed in the Chanel world, played old-school show photographers, snapping the models who stopped to pose and preen for them and seemed to be having the time of their lives, flashing smiles and flicking hair rather than assuming the habitual look of sulky disdain. “I used to love the sound of flashbulbs going off at the shows in the ’80s,” designer Virginie Viard recalled in today’s Chanel show notes. (The front-row seats were still prized in fashion’s hierarchy, but generally gave one a fantastic view of the back of a photographer or a supermodel’s nostrils.) Read on for a closer look at the Christian Siriano spring '22 runway right here.Back at the turn of the 1990s, as listeners to the podcast In Vogue: The 1990s will discover, supermodels came bounding down the high, raised runways exuding joie de vivre as they twirled and vamped for the photographers who had jostled for prime position, not only in the mosh pit at the end of the runway, but all along its length. Thankfully, award season's coming up next, because that look - and more from this set - is primed for a red carpet. In fact, if ever there were an outfit in need of a special occasion, it's the show closer on Precious Lee - a full tangerine tulle skirt paired with a multicolored bra top and scarf. ![]() I hope this collection transports you like it did me and demonstrates that fashion remains to be both nostalgic but also hopeful for what is to come in the future."īallgowns featured as prominently as cocktail sheaths, and every accoutrement, from fringe trim to sheer lace, hats, and capes, were the kind of details begging to be looked at – read: not the kind you leave at home. I wanted it to feel powerful and strong but also romantic like any true Italian woman. Drawing inspiration from the Italian women in his life, Christian elaborated about the looks in a press release: "The old photographs of my grandmother in the '60s and '70s on holiday in Positano wearing her apricot orange dress inspired an Italian coastal collection filled with color and joy. Siriano's vision for spring is a world where we are dressing up for everything. The models put bright color, sexy, see-through cocktail looks, sharp suiting - and curves - at the forefront. On the runway, Precious Lee opened the show, joined by Candice Huffine and an ethnically and size-diverse cast of models that stomped the runway as Marina serenaded the crowd. The spring '22 show was, unsurprisingly, a celebrity draw, attracting names like longtime muse Coco Rocha and Lil' Kim, who sat front row in a custom rosette-covered Siriano creation to support his collection. ![]() If looking to 2021 meant reimagining the future of fashion, designing for 2022 is bringing it to fruition - and who better to lead the charge than Siriano, a champion of diversity and the talent behind looks we've loved from Beyoncé, Zendaya, Amanda Gorman, and more of the world's most impressive women. The designer brought his optimistic glam when we needed it most, giving us neon hues, dramatic evening wear, and a catwalk filled with beautifully diverse models to mark a new season - and, maybe, a new beginning for fashion. For his 40th collection, Christian Siriano kicked off the spring 2022 shows at New York Fashion Week delivering the level of runway we hoped for.
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